Phiên đấu giá những tác phẩm của André-Léon Vivrel và các danh họa đương thời vào lúc 14:30 thứ Ba, ngày 16/07/2024. Cơ hội sở hữu kiệt tác nghệ thuật độc đáo ấn tượng – hiện đại cho không gian sống của quý khách thêm rực rỡ trong mùa Hè này.
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LOT 35
800 – 1200 EUR
FRANÇOIS JACOBS (1832-1887) Young woman with pearl necklace Oil on canvas Signed lower right (Perforation and small gaps in the paint layer) Oil on canvas, signed lower right 83 x 56.5 cm – 32 5/8 x 22 1/4 in. Provenance Private collection, Belgium
LOT 36
1000 – 1500 EUR
ADOLPHE LELEUX (1812-1891) Sewing in the Salon of the Château de Crénille, Seine-et-Marne, 1876 Oil on canvas Signed and dated ‘1876’ lower right (Relining and old restorations) Oil on lined canvas, signed and dated ‘1876’ lower right 54 x 76 cm – 21 1/4 x 29 7/8 in. Provenance Private collection, Belgium Exhibition Possibly: Salon, Paris, Palais des Champs-Élysées, 1876, n°1267 (titled ‘À Crénille (Seine-et-Marne)’)
LOT 37
600 – 800 EUR
ATTRIBUTED TO EDGARD MAXENCE Woman praying before a recumbent tomb Charcoal and red chalk on paper Signed lower right (Old restoration towards lower left, foxing and small perforations) Black and red chalk on paper, signed lower right 37.8 x 28 cm – 14 7/8 x 11 in. Provenance – Sale, Les Trésors d’Actéon #12, Artefact Enchères, Lille, July 2, 2022, lot 210 (as ‘Attributed to Edgar Maxence’ and titled ‘Femme à la prière’) – Sale, Classique, Drouot Estimations, Paris, Hôtel Drouot, November 25, 2022, lot 28 (as ‘Edgard Maxence’ and titled ‘Femme en prière devant un tombeau’) – Private collection, France (acquired during the previous sale) Note The motif of the woman, represented with her hands joined in prayer in a medieval context, is recurrent in the work of Edgard Maxence. See for example ‘Sérénité’, oil on wood, Salon of 1912, deposit of the Musée d’Orsay at the Musée Sainte-Croix in Poitiers (LUX 959).
LOT 39
3000 – 5000 EUR
ÉLISABETH SONREL (1874-1953) Young Breton Woman and Her Child Watercolor and graphite on paper Signed lower right In its original frame (minor accidents) Watercolor and graphite on paper, signed lower right, original frame 27.5 x 35.5 cm – 10 7/8 x 14 in. Provenance – Private collection, France – Acquired from the latter
LOT 40
600 – 800 EUR
ROBERT MOLS (1848-1903) View of Le Havre with the old Museum of Fine Arts Oil on panel Signed lower right Oil on panel, signed lower right 21.5 x 47 cm – 8 1/2 x 18 1/2 in Provenance Private collection, France (by descent)
LOT 41
1000 – 1500 EUR
LOUIS METTLING (1847-1904) Women in the Garden with their Pet Dogs Oil on panel Signed lower left Oil on panel, signed lower left 22.5 x 14.5 cm – 8 7/8 x 5 3/4 in. Provenance Private collection, France (by descent)
LOT 50
1000 – 1500 EUR
JAN STOBBAERTS (1838-1914) The Dog Shearer, circa 1875 Oil on canvas Signed lower left (Slight lifting and small gaps in the paint layer) Oil on canvas, signed lower left 48 x 73.5 cm – 18 7/8 x 29 in. Provenance Private collection, France Related work Jan Stobbaerts, (1838-1914), The Dog Shearer, circa 1875, oil on canvas, signed lower left, 98 x 125 cm, exhibited at the Brussels Salon of 1875, in. Sale, Impressionist & Modern Art, Aguttes, Neuilly-sur-Seine, March 13, 2024, lot 43
LOT 58
1500 – 2000 EUR
CORNELIS RAAPHORST (1875-1954) Kitten Games Oil on canvas Signed lower left (Small gap in the paint layer) Oil on canvas, signed lower left 50 x 70 cm – 19 3/4 x 27 1/2 in. Provenance Private collection, Belgium
LOT 59
500 – 700 EUR
HENRY FUGÈRE (1872-1944) Standing Worker Edition bronze with brown patina Signed on the terrace (Accidents to the left arm, missing cartel and rubbing) Bronze with black patina, signed on the base 52.5 cm – 20 5/8 in. Provenance Private collection, Belgium
LOT 65
500 – 700 EUR
CHARLES LEPLAE (1903-1961) Seated Woman, 1935 Bronze with dark brown patina Signed, dated ‘[19]35’ and numbered of XI on the terrace Foundry stamp ‘Batardy/cire perdue/Bruxelles’ at the bottom Model created in 1935 Bronze with dark brown patina, signed, dated ‘[19]35’ and numbered of XI on the base, stamped with the ‘Batardy/cire perdue/Bruxelles’ mark lower. 21 cm – 8 1/4 in. Provenance Private collection, Belgium (by descent)
LOT 67
700 – 900 EUR
CHARLES LAPIERRE (1868-1944) A set of two paintings Standing dancer, 1890 – Seated dancer, 1891 Oil on canvas The first signed lower right and dated ‘1890’ lower left The second signed lower left and dated ‘1891’ lower right (Old restorations) A set of two paintings, oil on canvas, the first one signed lower right and dated ‘1890’ lower left, the second one signed lower left and dated ‘1891’ lower right 41 x 27.5 cm – 16 1/8 x 10 7/8 in. Provenance Private collection, France
LOT 69
800 – 1200 EUR
OTOLIA KRASZEWSKA (1859-1938) Woman on a Sofa Oil on canvas Signed lower right Stamped with the ‘Adrian Brügger/München’ material supplier mark on the stretcher (Slight denting on the back, scratches and dirt) Oil on canvas, signed lower right, stamped with the ‘Adrian Brügger/München’ material supplier mark on the stretcher 56.5 x 46.5 cm – 22 1/4 x 18 1/4 in. Provenance – Private collection, France – Acquired from the latter
LOT 72
80 – 120 EUR
GUERO (20TH CENTURY) Bust of Ludwig van Beethoven Patinated terracotta, signed 28 cm – 11 in. Provenance Private collection, France
LOT 78
600 – 800 EUR
RENÉ FONTAYNE (1892-1952) White house in the gardens, Limoux (Aude) Oil on canvas Signed lower left Titled on the stretcher (Stripes) Oil on canvas, signed lower left, titled on the stretcher 54 x 65 cm – 21 1/4 x 25 5/8 in. Provenance Private collection, France
LOT 81
600 – 800 EUR
GIUSEPPE BESSI (1857-1922) Oriental dancer Bronze edition with brown and green double patina Signed with the foundry stamp ‘FBL’ and the words ‘cire perdue/bronze’ Wooden base (Scratches, slight wear of the patina and small traces of oxidation) Bronze with brown and green patina, signed, stamped with the ‘FBL’ foundry mark and inscribed ‘cire perdue/bronze’, wooden stand 33 cm (sans le socle) – 13 in. (without the stand) Provenance Private collection, Belgium
LOT 99
300 – 500 EUR
LOUIS-ALBERT CARVIN (1875-1951) Gazelles au galop Bronze and spelter with dark patina, signed on the base 16.5 x 47 cm – 6 1/4 x 18 1/2 in. 51 x 11 cm (socle) – 20 1/8 x 4 3/8 in. (base) Provenance Private collection, France (by descent)
LOT 103
1000 – 1500 EUR
AFTER PABLO PICASSO Au baiser d’Avignon Twelve drawings, washes, watercolors Le vent d’Arles, 1972 Portfolio consisting of the text by Jean Vilar and 10 of the 12 lithographs, most in color, executed after works by the artist Total edition of 350, this copy unnumbered (Incomplete, yellowed, stains on the title and text pages) Portfolio of 10 (on 12) offset lithographs on paper, with the title page and text, not numbered 50 x 40 cm – 19 3/4 x 15 3/4 in. Provenance Private collection, France
LOT 109
1000 – 1500 EUR
JOHN THEODORE JOHNSON (1902-1963) The Black Model, 1956 Oil on canvas Signed and dated ‘1956’ lower right (Dents and dirt) Oil on canvas, signed and dated ‘1956’ lower right 119 x 80 cm – 46 7/8 x 31 1/2 in. Provenance – Private collection, France – Acquired from the above “[J. Theodore] Johnson is one of the best painters I have ever known. He is a ‘painter’s painter’ with a magnificent sense of color.” Leopold Seyffert, NA (1953) [FR] John Theodore Johnson (1902-1963) was an American artist active in the mid-20th century. Of Swedish-American origin, Johnson was born in Oregon, Illinois. His father, Theodore Johnson, was a woodcarver. From 1920 to 1925, Ted studied at the Art Institute of Chicago. After graduating, he received the American Traveling Scholarship which took him to Paris where he studied under André Lhote at La Grande Chaumière. In 1931, he returned to Illinois to collaborate on its Federal Art Project (1935–1943). He worked with the FAP until 1938 and produced historical murals; book illustrations and a map (“Illinois Its Geography Its history”). In 1938, he moved to Minneapolis to take up a position at the Minneapolis School of Art where he remained until 1945. From that date, he became a professor at San Jose State College. He spent the rest of his life in California where he died in 1963. [GB] John Theodore Johnson (1902–1963) was an American artist active in the mid-20th century. Johnson was born in Oregon, Illinois, and was of Swedish-American descent. His father, Theodore Johnson, was a wood carver. From 1920-25 Ted studied at the Art Institute of Chicago. Graduating, he was awarded the American Traveling Scholarship, which took him to Paris where he studied under André Lhote at La Grande Chaumière. He returned to Illinois in 1931, taking work with the WPA initiative Illinois Federal Art Project (1935-1943). He worked with the FAP through 1938, producing several historical murals as well as Illinois-related book illustrations and at least one pictorial map (“Illinois Its Geography Its History”). He moved to Minneapolis in 1938 to take a position with the Minneapolis School of Art, where he remained until 1945. At that time, he received a professorship at San Jose State College, California. He remained in San Jose until his death in 1963.
LOT 110
400 – 600 EUR
LOUIS LEYGUE (1905-1992) Untitled or The Sun King Aluminum Signed without foundry mark Aluminum, signed with no foundry mark 21.5 cm – 8 1/2 in. Provenance – Private collection, France – Acquired from the latter Enclosed: Pierre Cruège, ‘Louis Leygue 1905-1992’, Paris: Les Éditions de l’Amateur, 2000, 184 p. Our sculpture, which is not illustrated in Pierre Cruège’s work and is not numbered, could constitute a unique piece.
LOT 113
800 – 1200 EUR
GEORGES DAMIN (BORN 1942) Lyon, Place Bellecour, 2000 Oil on canvas Signed lower right Dedicated, dated ’28 April 2000′ and signed a second time on the reverse Oil on canvas, signed lower right, dedicated, dated ’28 April 2000′ and signed again on the reverse 73 x 92 cm – 28 3/4 x 36 1/4 in. Provenance Private collection, France
LOT 114
